Inthe last months of World War II, as the Allies make their final push in the European theatre, a battle-hardened U.S. Army sergeant named 'Wardaddy' commands a Sherman tank called 'Fury' and its five-man crew on a deadly mission behind enemy lines.
Although many commentators will no doubt immediately compare the new WW II epic "Fury" to Quentin Tarantino's brilliant "Inglourious Basterds," largely because both films star Brad Pitt as a heavily-scarred, drawling Army man leading his men in a quest to kill as many Nazis as possible, it is actually closer in tone to a straightforward and un-ironic guys-on-a-mission tale along the lines of "The Dirty Dozen" or "Where Eagles Dare," with a heavy dollop of gruesome bloodletting depicting the true horrors of armed conflict that have been de rigueur for the war movie genre in the wake of "Saving Private Ryan." It may sound like an interesting approach for a modern war film, but it doesn't take long to realize that writer-director David Ayer has spent more time adding flesh to his battlefield sequence than he has in fleshing out the screenplay. The end result, while technically impressive, is a dramatically bloodless affair, despite the gallons of gore on display. Set during the waning days of the war, with Allied forces marching through Germany on the way to Berlin and the Nazis pulling out all the stops—including putting kids into battle and hanging those who refuse to fight—to stop them. Pitt plays Sgt. Don "Wardaddy" Collier, the commander of a five-man Sherman tank crew that has been together since North Africa, and who he is determined to see survive to the end of the war. His men include the religious-minded gunner Bible Shia LaBeouf, the Hispanic lead driver Gordo MIchael Peña and the borderline scumbag mechanic Coon-Ass Jon Berenthal. As the story opens, they have just lost their second driver in battle, and at their next stop, they take on a new man in Norman Ellison Logan Lerman, a wet-behind-the-ears type who has only been in the war for a few weeks as a typist and who has never fired a gun before, let alone served in to say, the other members of the Fury crew are not impressed with the new guy and are even less so when he winds up barfing all over the place while cleaning up the blood in the cab left by his predecessor. Things get worse when Norman chokes during his first confrontation in a move that leads to the grisly death of another tank commander in their column. Eventually, he proves his mettle and begins to mesh with the team at last and Wardaddy even takes him out during a brief stopover to an impromptu rendezvous with a couple of German women Anamaria Marinca and Alicia von Rittberg to relieve him of his virginity. After an ambush that wipes out the other tanks that they are traveling with, Fury finally breaks down, but before it can be repaired and the five men are placed in the seemingly impossible position of trying to single-handedly stave off the arrival of 300 SS is best known for writing and/or directing such gritty cop dramas as "Training Day," "End of Watch" and this year's brutally idiotic Arnold Schwarzenegger vehicle "Sabotage," and, with this film, he takes a giant leap forward in terms of scope and ambition, but only generates middling results. When it comes to the details, Ayer excels—he convincingly evokes the look and feel of this period in history and also does a decent job of suggesting how a quintet of people who would likely never even acknowledge each other in other circumstances can forge together into a single working unit in times of duress. The action sequences are also nicely staged, with one battle in which the smaller but faster Sherman races around to fight off a larger but slower German Tiger tank offering some genuine thrills. The trouble with "Fury" is that while stocking up on all the little details, Ayer has failed to provide much of a narrative for them to hang upon. The film may remind some viewers of the kind of thing that one might have seen on the bottom half of a double-bill in 1943—the storyline is trite and unsurprising, the dialogue is almost always just a little too on-the-nose, and the climactic standoff against the approaching Nazi forces feels too contrived for its own good. In those aforementioned B movies, that wasn't such a problem because they usually clocked out at 80 minutes or so and moved quickly enough so that viewers usually didn't notice such flaws. "Fury," on the other hand, clocks in at 134 minutes and it makes you feel every one of them in ponderous detail. The sequence with the German women starts off nicely enough but goes on forever before finally arriving at its inevitable payoff. Speaking of ponderous, the film is, between Steven Price's oppressive score and the cacophony of combat, so noisy that if there was an Oscar given for Most Sound, it would be the clear front-runner. On the acting front, Brad Pitt is good—of course, he is almost always good—but never quite finds a way of approaching his character that doesn't call to mind his indelible performance as Aldo Raine in "Inglourious Basterds." Likewise, his co-stars turn in decent-enough performances though LaBeouf's attempts to grizzle himself up via darkened teeth and an especially unfortunate mustache may inspire a few bad laughs early on, but the characters are so paper-thin and devoid of any shading beyond their one approved character trait that they aren't able to do much of anything with them to make them live or breathe. Since we have not been given any particular reason to care about these particular characters, other than the fact that they are not Nazis, the final conflict and the personal sacrifices they make wind up having precious little dramatic impact."Fury" isn't so much a bad movie as it is a fairly unnecessary one. From a technical standpoint, it is occasionally quite impressive and fans of the WWII genre as a whole might find it to be of some interest, though those with weaker constitutions may want to give it a second thought considering all the blood and guts on display. From a dramatic and emotional perspective, however, it just sort of lumbers along without ever generating a real sense of interest in what is happening on the scene. If only Ayer had spent a little less time on the physical aspects of this project and given a little more thought to the story, characters and dialogue, he might have been able to truly do "Fury" honor instead of giving viewers just another war potboiler. Peter Sobczynski Peter Sobczynski is a contributor to and Magill's Cinema Annual and can be heard weekly on the nationally syndicated "Mancow's Morning Madhouse" radio show. Now playing Film Credits Fury 2014 134 minutes Latest blog posts about 4 hours ago about 21 hours ago 1 day ago 1 day ago CommentsMadMax: Fury Road (George Miller) That George Miller returned to resurrect his Mad Max saga three decades after its last entry (the divisive Beyond Thunderdome) is, in itself, a certain sort of feat. That he produced an anti-patriarchal, post-apocalyptic, action-fantasy epic worthy of mainstream appeal is damn near achieving the impossible.Fury iLK21 LayarKaca21Quality HDYear 2014Duration 135 Min3068 votes, average out of 10 Last months of World War II in April 1945. As the Allies make their final push in the European Theater, a battle-hardened Army sergeant in the 2nd Armored Division named Wardaddy commands a Sherman tank called “Fury” and its five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany. TaglineWar never ends quietly. Release15 Oct 2014 LanguageEnglish Budget$ Revenue$ CastAdam Ganne, Alicia von Rittberg, Anamaria Marinca, Brad Pitt, Brad William Henke, Eugenia Kuzmina, Jake Curran, Jason Isaacs, Jim Parrack, Jon Bernthal, Kevin Vance, Logan Lerman, Marek Oravec, Michael Peña, Scott Eastwood, Shia LaBeouf, Xavier Samuel, Zach AveryVillainWiki 2019The song is a solo from the point of view of an anonymous victim of Discord's chaos who wants it to end and questions what are Discord's motives.Updated On November 3, 2022 Posted On Oktober 5, 2022 Bookmark Followed by 2 members Pada bulan-bulan terakhir Perang Dunia II, ketika Sekutu melakukan serangan terakhir mereka di teater Eropa, seorang sersan Angkatan Darat AS yang tangguh bernama Wardaddy’ memimpin sebuah tank Sherman yang disebut Fury’ dan lima awaknya dalam misi mematikan. dibelakang garis musuh. Kalah jumlah dan senjata, Wardaddy dan anak buahnya menghadapi peluang besar dalam upaya heroik mereka untuk menyerang jantung Nazi Jerman. Genre Action, Drama, War Rilis 2014-10-15 Bintang/Artis Alicia von Rittberg, Anamaria Marinca, Brad Pitt, Brad William Henke, Jim Parrack, Jon Bernthal, Logan Lerman, Michael Peña, Scott Eastwood, Shia LaBeouf Durasi 135 min Direktor David Ayer Negara CN, US Kualitas HD Nonton Fury 2014 Sub Indo gratis, Streaming Film Fury 2014 HD Galeri Fury 2014 Server Language Quality Size Link
Asfilm pitches go, 'Nick Frost and Rashida Jones in a romantic comedy about salsa-mad industrial engineers' sounds like it was devised during a strenuous game of stringing random words together.
CLIP 223 CLIP 410 CLIP 216 CLIP 201 Play all videos What to know Overall, Fury is a well-acted, suitably raw depiction of the horrors of war that offers visceral battle scenes but doesn't quite live up to its larger ambitions. Read critic reviews The Hunger Games Catching Fire The Hobbit The Battle of the Five Armies Rent/buy Rent/buy Rent/buy Fury videos Fury Official Clip - Tank vs. Nazi Squad CLIP 223 Fury Official Clip - Tiger Tank Battle CLIP 410 Fury Official Clip - Rocket Ambush CLIP 216 Fury Official Clip - Wardaddy's Death CLIP 201 Fury Official Clip - Young and Alive CLIP 430 Fury Official Clip - Tank Assault CLIP 306 Fury Official Clip - Liberating the Village CLIP 237 Fury Official Clip - The Last Stand CLIP 308 Fury Official Clip - Shoot the Nazi CLIP 223 Fury Official Clip - Ruining Dinner CLIP 235 Fury Photos Movie Info In April 1945, the Allies are making their final push in the European theater. A battle-hardened Army sergeant named Don "Wardaddy" Collier Brad Pitt, leading a Sherman tank and a five-man crew, undertakes a deadly mission behind enemy lines. Hopelessly outnumbered, outgunned and saddled with an inexperienced soldier Logan Lerman in their midst, Wardaddy and his men face overwhelming odds as they move to strike at the heart of Nazi Germany. Rating R Some Grisly ImagesLanguage ThroughoutStrong War Violence Genre War, History, Drama Original Language English Director David Ayer Producer Bill Block, David Ayer, Ethan Smith, John Lesher Writer David Ayer Release Date Theaters Oct 17, 2014 wide Release Date Streaming Jan 27, 2015 Box Office Gross USA $ Runtime 2h 14m Distributor Sony Pictures Entertainment Production Co Crave Films, QED International, Le Grisbi Cast & Crew News & Interviews for Fury Critic Reviews for Fury Audience Reviews for Fury Super Reviewer May 27, 2017 boom. sacrifice the order of the day. if 5 die... more than 5 are saved... especially if you kill enough of the SS to keep a good fire stoked for a month of sundays. despite it not being a 4 in my opinion it almost made me bawl at the sitting duck point. if this were a propaganda film i would be sold. sold... do you hear? an expert portrayal of why we should respect soldiers loss. Super Reviewer Nov 24, 2016 It's a rarity to see a cast of actors click so well in a film, and Fury is one of those exceptions. Brad PItt, Logan Lerman, Jon Bernthal, Michael Pena, and Shia LeBeouf all turn in emotionally complex and tense performances. A particular scene in a German apartment between Pitt, Lerman, and two German women is a stand-out scene, and it's a perfect example of how war can be brutal in ways other than raw violence. The film also pulls off the very difficult task of making the inside of a tank feel extremely claustrophobic. This is an incredible entry in David Ayer's rather inconsistent filmography. Super Reviewer Oct 29, 2016 As far as the look and atmosphere go, this WW2 action drama feels almost like a Saving Private Ryan spin-off. The action sequences are impressive, especially the decision to color the flying tank bullets, giving them almost a laser look, is fresh and cool. There are long calm sequences of showing the horrors of war through a different, more personal perspective. And then again there are really gruesome deaths. Sadly, the showdown follows the tropes of war dramas by the numbers and is accordingly predictable. Just like in Suicide Squad, director Ayers seems to enjoy fights in the mist or smoke, obscuring the view. That's not particularly impressive. Still, overall a pretty strong movie with plenty of memorable scenes. Super Reviewer
